Tallinn Architecture Biennale: TAB 2019’s curatorial exhibition – Beauty matters, the resurgence of beauty in architecture

The Curatorial Exhibition @the Estonian Museum of Architecture

Curatorial Team: Head Curator Yael Reisner(London) with two Assistant Curators, Barnaby Gunning(London), and Liina Soosaar(Tallinn).

The curatorial topic was selected from the international open call for the 5th installment of TAB. The winning entry was proposed by Dr Yael Reisner and Johanna Jõekalda.

TAB is organised by Estonian Centre for Architecture.  

During TAB 2019’s opening week Yael Reisner was interviewed by Maria Erman of ArchDaily, about the theme she chose for Tallinn Architecture Biennale 2019.
The Curatorial Exhibition at the Estonian Museum of Architecture, Tallinn – The ‘Street’ view with the 9 Installations at the main level, whereas at the upper level each habitation project proposal was screened and explained at greater length. Photo by Tõnu Tunnel.
Kadri Kerge, (Tallinn / NYC), Beauty-ful(l) Life, Photo by Tõnu Tunnel.
Installations from the right designed by: Kadri Kerge(Tallinn/NY)-Beauty-Ful(l) Life, Barnaby Gunning & Yael Reisner(London)-Growing Habitat, March Studio(Melbournetransoccupation, KTA(Tallinn)-The Utopian Tick, Andre Maasik’s enlarged B&W photo of a birch forest, becoming part of the ‘Street’. Photo by Tõnu Tunnel.
Barnaby Gunning & Yael Reisner, (London), Growing Habitat, Photo by Evert Palmets.
From the right: Space Popular(London), Barnaby Gunning & Yael Reisner(London), March Studio(Melbourne), Atelier Manferdini(LA)- Wall Flower, KTA(Tallinn), soma architecture(Innsbruck/Vienna)-Temporal Architecture, Andre Maasik’s photo. One can see, through many of the photos here, the screens at the mezzanine floor above, showing further description of each habitation project. Photo by Tõnu Tunnel.
Photo by Evert Palmets.
March Studio, (Melbourne), Transoccupation. Photo by Evert Palmets.
Left – soma architecture(Innsbruck/Vienna)- Temporal Architecture, Right-KTA(Tallinn) – The Utopian Tick, Backdrop – Arne Maasik’s hanging enlarged printed photo on textile of Birches forest, Estonia. Photo by Tõnu Tunnel.
KTA, (Tallinn), Utopian Tick, looking into the interior of the installation. Photo by Evert Palmets.
Enlarged photo of a birch trees forest, just after the snow was melting, printed on textile. Arne Maasik, (Tallinn). Photo by Evert Palmets.
soma architecture, (Innsbruck / Vienna), Temporal Architecture. Photo by Evert Palmets.
soma architecture, (Innsbruck / Vienna), Temporal Architecture. Photo by Evert Palmets.
The Talking Trees of Tallinn, a VR Experience and a location-based, mixed reality display – VR/MR experience – inviting the viewer to interact with six projects out of eight exhibited at the curatorial exhibition. Perceived and designed by Paula Strunden (Amsterdam), with Yael Reisner. Photo by Tõnu Tunnel.
Paula Strunden,(Amsterdam), The talking trees of Tallinn, a VR / MR installation. Photo by Evert Palmets.
From the right: Sou Fujimoto(Tokyo) – Open Cave, Space Popular(London) – The Venn Room, (an AR Installation), Paula Strunden(Amsterdam) -The Talking Trees of Tallinn, (an AR/MR installation), Photo by Toño Tunnel.
Sou Fujimoto(Tokyo)- Open Cave. Photo by Evert Palmets.
Side view of the Curatorial Exhibition at the Estonian Museum of Architecture. Looking from the Birch trees’ woodland part of the Street, at the exhibition’s entrance, The nearest installation to us here is Sou Fujimoto(Tokyo)- Open Cave. Photo by Tõnu Tunnel.
Kadri Kerge, Beauty-ful(l) Life. Photo by Evert Palmets.
Kadri Kerge, Beauty-ful(l) Life. Photo By Tõno Tunnel.
Barnaby Gunning & Yael Reisner, Growing Habitat, Photo by Evert Palmets.
Barnaby Gunning & Yael Reisner, Growing Habitat, Photo by Evert Palmets.
Atelier Manferdini, (LA), Wall Flower, AR installation, Photo by Evert Palmets.
Atelier Manferdini, Wall Flower, AR installation, Photo by Evert Palmets.
Indrek Must,(Estonian scientist) with Yael Reisner Studio, Grow Grow. Photo by Evert Palmets.
March Studio, Transoccupation, Photo by Evert Palmets.
March Studio, Transoccupation, Photo by Evert Palmets.
soma architecture, Temporal Architecture. Photo by Evert Palmets.
Sou Fujimoto, Open Cave. Photo by Evert Palmets.
Looking at the ‘Street’ from the Mezzanine floor. Photo by Yael Reisner.
The Curatorial Exhibition’s Birch woodland entry space of the Street; looking back. Photo by Evert Palmets.
The Curatorial Exhibition’s Birch woodland entry space of the Street; looking towards the exhibition. Photo by Yael Reisner.
Photo by Yael Reisner.
Photo by Yael Reisner.
Photo by Yael Reisner.
Photo by Yael Reisner.
Photo by Evert Palmets.
Photo by Evert Palmets.
The outdoors installation’s winning & built project, Steampunk, (curated by Gilles Retsin). Photo by Yael Reisner.

Beauty: a critical determinant in the progress of civilisations. Semir Zeki, Neuroscientist

Beauty Matters

The Resurgence of Beauty

In celebrating beauty in architecture, after some eight decades of denigration, Beauty Matters aims to elevate the status of beauty and its role in exploring new aesthetics through the lens of habitation.

Architecture, like poetry, or music, has the power to speak both to individuals and society, nurturing and preserving their differences, whilst acknowledging their similarities and giving identity to shared culture.

Exhibitors from Estonia and around the world were chosen for their diverse palette of agendas and aesthetics, together they introduce a contemporary, pluralistic approach to the experience of beauty, a creation by individuals for their fellow individuals, as beauty is not a singular idea.

The exhibition brings to the fore two of today’s burning issues – aspiring to beauty, and habitation – presenting positive alternatives to alienating and ecologically unfit built environments.

These nine installations form a street in the main exhibition space, with injections of woodland as a prevalent feature of the urban landscape. Each installation is a segment of a larger habitation project, which can be seen projected above at mezzanine level.

Now, imagine this street…courier robots deliver goods, while residents walk or transit on scooters, bicycles and local trams, and drones fly high above.

TAB 2019’s Curatorial Team: Head curator Yael Reisner (middle), and the two Assistant curators: Barnaby Gunning(left), and Liina Soosaar(right).Photo by Photo by Evert Palmets

Exhibition design: Yael Reisner with Barnaby Gunning

The Curatorial Exhibition’s Plan. Entry through the birch trees walk, leading to ‘the street’. The 9 installations – segments of larger habitation projects screened at the mezzanine floor above – 5 installations at the upper row, starting from the left: Sou Fujimoto, Space Popular, Paula Strunden ‘above in plan’ Atelier Manferdini, and soma architecture. At the end of the street, a background side to side B&W photo by Andre Maasik. 4 more installations at the lower raw, starting from the left: Kadri Kerge, Barnaby Gunning & Yael Reisner, March Studio, and KTA.

Please do note that the next part here is the description and visual presentations of each installation/each habitation project, followed by the architects talking about these, as was filmed during the 2-day- Symposium. (Further more sessions could be seen in this website at the dedicated Entry to the TAB 2019’s Symposium.)

Sou Fujimoto Architects – The Open Cave

The habitation unit is a new but primitive house. SFA’s segmentbecomes an open system that identifies the mass and the space, establishing new connections between inside and outside.It is a proposition for the habitation of tomorrow, whereby conventional floors and building envelope disintegrate into continuous open landscape. In this way, the floor becomes wall, the wall becomes ceiling, the ceiling becomes furniture, the furniture becomes architecture, and architecture becomes landscape. Consequently, the open cave has no specific predefined area.

Sou Fujimoto presents his exhibited project Open Cave. Photo by Evert Palmets.
Sou Fujimoto presents his exhibited project Open Cave. Photo by Evert Palmets.
The Open Cave Installation. Photo by Yael Reisner.
Open Cave, Photo by Tõnu Tunnel.
Photo by Tõnu Tunnel.
Photo by Tõnu Tunnel.
Photo by Evert Palmets.
Photo by Tõnu Tunnel.

Barnaby Gunning and Yael Reisner – Growing Habitats

Interweaving different kinds of growth from the integration of plant life to the formation of living spaces. Deliberately generous in volume, valuing continuity of space from the private and cozy, to the public. The flowering collars emerge from each of the pure-wool felt drape, and blur the boundary between exterior and interior. Planting is deeply integrated, from a hydroponic ‘magic garden’ to a naturally and artificially lit semi-external ‘potting shed’ for ‘grow your food’ garden.

Barnaby Gunning presents the project Growing Habitat. Still from the film.
Barnaby Gunning’s presentation about the project Growing Habitat. Still from the film.
Barnaby Gunning’s presentation about the project Growing Habitat. Referencing here the Room for London competition entry, designed by Yael Reisner Studio, 2010 in collaboration with the artist Dee Ferris, (render by Damjan Iliev). Still from the film.
Still from the film.
Still from the film. Designing and calculating the Instillation’s fabrication by Barnaby Gunning in collaboration with AKT II’s engineers.
Still from the film. Designing and calculating the Instillation’s fabrication by Barnaby Gunning in collaboration with AKT II’s engineers. Cutting all the installation’s parts – wood and felt- was executed at Grymsdyke Farm by Carmine Carparreli, and the kind support of Dr. Guan Lee, Director of Grymsdyke Farm.

1st Duo: Sou Fujimoto(Tokyo) in conversation with Barnaby Gunning and Yael Reisner,(London), moderated by Martyn Hook(Melbourne).

Atelier Manferdini – Wall Flower

Nature is a silent but powerful protagonist of Atelier Manferdini artwork for the Tallinn Architecture Biennale. Wall Flower challenges a notion of Nature as a classical source of inspiration for beauty and wants to put to forefront an expanded, hybrid notion of Nature that does not yield to clean judgments or bottom lines about what is living or non-living, organic or technological, true or synthetic.

The floral landscapes become alive through the use of Augmented Reality and trigger the curiosity and the interaction both physical and visual of the visitors. Wall Flower is a landscape painting for the digital age: ever-shifting in relation to the viewer.

Wall Flower and floor’s print – an AR Installation designed by Atelier Manferdini. Photo by Tõnu Tunnel.
Wall Flower and floor’s print – an AR Installation designed by Atelier Manferdini. Photo by Tõnu Tunnel.
Wall Flower’s close up. Photo by Yael Reisner.
Kate Goodwin enjoys the Wall Flower’s AR experience. Photo by Evert Palmets.
Wall Flower – an AR Installation designed by Atelier Manferdini. Elena Manferdini in at the photo taken by Evert Palmets.
Right, further in: Flower Wall, AR Installation – Wall and Floor – by Elena Manferdini. Photo by Tõnu Tunnel.

Indrek Must with Yael Reisner – Grow Grow

The panel installed above ‘Wall Flower’ , and not related to, but about robots that are inspired by plants’ behaviour. A pneumatically driven artificial biomimetic 12 tendrils that curl and coil like a Passiflora climbing plant. The installation is based on a collaboration of the scientists: Indrek Must, an Estonian materials technologist, Barbara Mazzolai, a biologist, and Edoardo Sinibaldi, an aerospace engineer, both Italians. Plant-inspired robotics has been introduced by European Union funded projects “plantoid”and “Growbot”.

The grey panel above the Wall Flower – is installed with pneumatically driven artificial biomimetic 12 tendrils that curl and coil like a Passiflora climbing plant. A simulation of the first ever invented plant-inspired robot. Photo by Yael Reisner.
Photo by Yael Reisner.

Space Popular – The Venn Room

The introduction of virtual portals in the home – such as the television, the computer or the smartphone – has had considerable consequences in our day to day but has left the architecture of the home pretty much untouched.

The Venn Room by Space Popular depicts a series of possible scenarios of cohabitation in which issues of integration, interface, exposure, overlap, representation, storage and ownership in the augmented future for our domestic environments are put into perspective through everyday narratives.

Space Popular’s The Venn Room – 6 large, printed, translucent, silk screens, bringing to life and enrich the VR experience and narrative. Photo by Tõnu Tunnel.
Photo by Yael Reisner.
Photo by Tõnu Tunnel.
Photo by Tõnu Tunnel.
Photo by Tõnu Tunnel.
Photo by Tõnu Tunnel.
Photo by Tõnu Tunnel.

2nd Duo: Space Popular (London)-Lara Lesmes and Fredrik Hellberg in conversation with Elena Manferdini of Atelier Manferdini (LA), moderated by Yael Reisner.

Click on this Link to the videoed session:

Paula Strunden in collaboration with Yael Reisner – The Talking Trees of Tallinn

The VR Experience The Talking Trees of Tallinn is a location-based, mixed-reality display inviting the viewer to interact with six projects out of eight exhibited at the curatorial exhibition. Immerse yourself in the Open Cave by Sou Fujimoto, Transoccupation by March Studio, Beauty-Ful(l) Life by Kadri Kerge, Growing Habitats by Yael Reisner & Barnaby Gunning, Temporal Environment by soma architecture, and the Utopian Tick by KTA. Six mixed-reality peepholes triggered by “tactile objects” give virtual entry to six imaginary habitations and invite the viewer to engage with a new form of embodied architecture.

Trailer by Paula Strunden, where its soundscape was composed by Nathan Tulve and Jakob Tulve. ( The brothers Tulve were the musicians who composed the TAB 2019’s Curatorial Exhibition’s soundscape. They created; a 30min. cycle that went along the 30min. sunset light cycle set up at the exhibition, as two atmospheric enhancers.)

The Talking Trees of Tallinn VR/MR installation. Photo by Tõnu Tunnel.
Photo by Yael Reisner.
Photo by Yael Reisner.
The Talking Trees of Tallinn VR/MR installation. Photo by Yael Reisner.
Paula Strunden in conversation with the soundscape’s musicians, Nathan Tulve and Jakob Tulve. Photo by Evert Palmets.
Photo by Evert Palmets.

3rd Duo: Paula Strunden(Amsterdam) in conversation with Yael Reisner(London), and the musicians, Nathan and Jakob Tulve(Tallinn).

soma architecture – Temporal Architecture

For soma architecture, design is a prognosis about future lives and realities. Buildings are never finished but reorganized, altered and transformed. If we observe the city from far distance in rapid motion we would get a completely different understanding of its nature: a living habitat that is neither monumental nor permanent. The installation by soma is an excerpt of an evolving structure that is overgrowing and transforming the abandoned Linnahall in Tallinn.

Kristina Shinneger of soma architecture, presenting the Temporal Architecture installation. Still from the film.
Temporal Architecture installation. Photo by Tõnu Tunnel.
Kristina Shinneger’s presentation. Still from the film.
Kristina Shinneger’s presentation. Still from the film.
Kristina Shinneger’s presentation. Still from the film.
Stefan Rutzinger of soma architecture in conversation moderated by Kaja Pae. Photo by Evert Palmets.
Kristina Shinneger and Stefan Rutzinger, of soma architecture, in conversation moderated by Kaja Pae.Still from the film.
The Temporal Architecture installation. Photo by Yael Reisner.

Kadri Kerge – Beauty-Ful(l) Life

The project is designing new type of living space for special social condition – apartment for the modern binuclear family.  A complex geometry for interrelated spatial program, creating links between private, common and shared space. A therapeutic space helping to live more beauty-ful(l) life, supporting the family’s everyday needs and (complex) relationships with each other.

Kadri Kerge’s sister – Maris Kerge, presents the film she took of Kadri talking about her design and views, (as Kadri had to leave after the Exhibition’s Opening evening). Still from the film.
Kadri Kerge. Still from the film.
Kadri Kerge. Still from the film.
Kadri Kerge. Still from the film.
Kadri Kerge. Still from the film.
Beauty-Ful(l) Life installation. Photo by Yael Reisner.
Photo by Yael Reisner.
Beauty-Ful(l) Life installation. Photo by Tõnu Tunnel.
Beauty-Ful(l) Life installation. Photo by Tõnu Tunnel.
Beauty-Ful(l) Life installation. Photo by Tõnu Tunnel.

4th Duo: soma architecture (Vienna/Innsbruck) – Kristina Shinneger and Stefan Rutzinger – in conversation with Kadri Maris, who stood for her sister Kadri Kerge(Tallinn/NY), moderated by Kaja Pae(Tallinn).

Kadarik Tüür Architects – Utopian Tick  

Tick is an arachnid that latches upon warm-blooded animals. This parasite has attached itself to the beautiful modernist block. It is covered with sprayed insulation which has spread like an infection over the existing housing block. The installation is a happy reunion of at least 3 utopias – the utopia of modernist housing, the utopia of energy-efficient reconstruction and the utopia of vernacularity.

Ott Kadarik of KTA, presents the Utopian Tick   installation. Still from the film.
Still from the film.
Still from the film.
Priit Hamer of KTA presents the installation’s narrative, captured by the renders. Still from the film.
Still from the film.
Still from the film.
Still from the film.
Still from the film.
Mihkel Tüür presents the structure design principles. Still from the film.
Still from the film.
Still from the film.
Still from the film.
Utopian Tick installation on the right. Photo by Tõnu Tunnel.
from the left: Print, Ott and Mihkel of KTA, Fleur Watson moderating, and Anne-Laure and Rodney of March Studio. Still from the film.

March Studio -Transoccupation

This project is simultaneously an investigation into a 1:1 plywood box truss (the segment) and a 1:10 structural system for a tower (the whole). The work continues a wider body of research undertaken by March Studio where materials, technology, and structure are used to explore disorderly form in order to propose new opportunities and architectural typologies. In the case of Transoccupation, we propose a new, interchangeable residential tower which is more akin to a vertical village than a typical extruded Tower model.

Rodney Eggleston of March Studio, presents the Transoccupation installation and project. Still from the film.
Render of the Transoccupation (Plug-In) tower. Still from the film.
Render – Plan – of the Transoccupation tower. Still from the film.
Render of the Transoccupation tower. Still from the film.
Render – unit T2 – of the Transoccupation tower; a beam – a unit. Still from the film.
Render – unit T3 – of the Transoccupation tower; a beam – a unit. Still from the film.
Render of the Transoccupation tower; a beam / a unit. Still from the film.
Render of the Transoccupation tower; a beam / a unit. Still from the film.
Render of the Transoccupation tower; a beam / a unit.Still from the film.
Render of the Transoccupation tower – a beam / a unit; the family decides to move for a while…Still from the film.
Render of the Transoccupation tower- a beam / a unit; the family decides to move for a while somewhere else…Still from the film.
Render of the Transoccupation tower. Still from the film.
March Studio – focusing at manufacturing special architectural units, parts, details. Still from the film.
March Studio – focusing at manufacturing special architectural units, parts, details. Still from the film.
March Studio – focusing at manufacturing special architectural units, parts, details. Still from the film.
Building up the installation from its impeccable manufactured parts. Still from the film. Still from the film.
Building up the installation – only wood parts (no glue) – from its impeccable manufactured beam elements. Still from the film.
The Transoccupation installation. Still from the film.
March Studio in conversation with KTA moderated by Fleur Watson.

5th duo: March Studio(Melbourne) in conversation with Ott Kadarik, Mihkel Tüür, Indrek Rünkla of KTA(Tallinn), moderated by Kaja Pae(Tallinn/Tartu).

Photos taken at the Curatorial Exhibition’s Opening

At the opening evening of the Curatorial Exhibition in the Estonian Museum of Architecture in Tallinn; TAB 2019’s main opening. Here Yael Reisner thanked Katrin Foerster of ABB – the head partner of TAB 2019. Photo by Evert Palmets.
Triin Ojari, the Estonian Architecture museum’s director, give a speech.
A visitor enjoying the AR/MR experience at Paula Strunden’s The Talking Trees of Tallinn Installation. HTC Vive was the VR installations’ head partner.
At the Opening Evening. Photo by Evert Palmets.
At the Opening Evening. Photo by Evert Palmets.
At the Opening Evening. Photo by Evert Palmets.
At the Opening Evening in the company of young musicians: Alexander Cook on my right, and the Tulve brothers on my left – Jakob and Nathan. Jakob and Nathan Tulve wrote the soundscape for the curatorial exhibition, and the soundscape for the Talking Trees of Tallinn AR/MR installation.
At the Opening Evening – Yael Reisner with Peter Cook and Barnaby Gunning.

TAB 2019's Head Curator:

Yael Reisner

Curators assitants:

Barnaby Gunning & Lina Soosaar.

Curatorial Exhibition's design:

Yael Reisner with Barnaby Gunning

Head partner:

ABB, with the supportive Katrin Foerster as its International Key Account Manager Architects.

Producers:

Eve Arpo, Maria Kristiin Peterson, Estonian Centre for Architecture

Exhibitors:

Sou Fujimoto Architects, March Studio, Kadri Kerge, soma architecture, Barnaby Gunning and Yael Reisner, Space Popular, Elena Manferdini, Kadarik Tüür Architects, Paula Strunden, Arne Maasik, Indrek Must. Soundscape: Nathan Tulve, Jakob Tulve

Graphical Design:

Stuudio Stuudio

Building support:

PART

Headline Partner:

ABB

Virtual Reality Partner: HTC VIVE:

HTC VIVE

Under construction.